But because that kind of stuff makes the idiots worry. Not only because it kind of proves we've got a soul, and that's nice, 'cause I'm dying. Not to Heaven or Hell, 'cause we've got them on Earth. But the point is that something was there when the body was alive. Did you know that after a person dies, their body weighs a little bit less? Just a few grams. Or they do a photo shoot, and when they look at the pictures, they see there's no soul in their eyes. ![]() ![]() But they're the kind of motherfuckers who wake up the morning after a one night stand and just 'cause they didn't cum, they accuse the other guy of rape. "Responsible." My agent once said I didn't know the meaning of the word. GIA suddenly flashes a smile that is all loveliness. She is just speaking because she wants to. ![]() GIA isn't speaking to anyone in particular. SURLY JUNKIE peers into the darkness, toward us. GIA looks at us now, dead on into the camera. Waves it demonstratively in the SURLY JUNKIE'S direction. Leaps up to a squatting position, pulls a SWITCHBLADE out of her back pocket. She is dying, and knows it.Ī SURLY JUNKIE, sitting a few metres away, mumbles from the shadows. She is very beautiful, So much so that in the darkness, her pallid face seems to glow. Her heavy-lidded eyes are open, as if at half-mast. She is seated in the corner, LAUGHING to herself. HAND-HELD - Exploring the junkiescape of bodies, we discover GIA, a young woman. At first, we cannot determine which body belongs to her. The walls and ceiling are nearly invisible, subsumed in shadow.Ī woman softly LAUGHS. The place is dark, lit only by candles and a standing lamp, its shade draped with a colourful scarf. Most others are strewn about the floor, sitting or lying down. One junkie stands, bent over backwards and to the side at an angle that would seem impossible to maintain. A dozen dormant bodies, in various postures. INT: NIGHT - SHOOTING GALLERY: MANHATTAN: EARLY 80's I just know that every man I kill, the farther away from home I feel.1. You wanna leave? You wanna go off and fight the war? Alright. ![]() But if - you know - if going to Remeal and finding him so he can go home, if that earns me the right to get back to my wife - well, then, then that’s my mission. Sometimes I wonder if I’ve changed so much my wife is even gonna recognize me whenever it is I get back to her - and how I’ll ever be able to tell her about days like today. Back home when I tell people what I do for a living, they think, well, that, that figures. I was coach of the baseball team in the spring time. The last eleven years, I’ve been at Thomas Alva Edison High School. I teach English Composition in this little town called Adley, Pennsylvania. Mike? What’s the pool on me up to right now? What’s it up to? What is it, three hundred dollars - is that it? Three hundred? I’m a school teacher. Which moving speeches do you love the most? Let us know by voting thumbs up or thumbs down in the list below. If well-executed, any of these famous dramatic monologues are certain to grab a casting agent’s attention.īe an inspiration like Fortune from Rudy, a greedy business mogul like Gordon Gekko from Wall Street, or a believer that people will come to a cornfield in the middle of Iowa in Field of Dreams. Since you only get one shot to make a good impression, don’t waste your chance on a movie monologue that leaves your audience bored and unimpressed. Many of these speeches are great for acting auditions. Here are 22 of the best dramatic movie monologues ever. Imagine Glengarry Glen Ross without Alec Baldwin’s sales incentive monologue, “coffee’s for closers,” or Jack Nicholson’s stern warning monologue, “you can’t handle the truth” in A Few Good Men. However, all of these monologues from movies share several of the same characteristics: they are all well-acted, extremely moving, and totally make the movie. The best dramatic monologues in cinema can be found within every genre.
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